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Apart
from the large "Cliquen", there
are uncounted smaller drum and piccolo groups, some consisting of dozens
of players and considerable vanguards, some just family groups of Mom
and Dad playing and the kids tagging along.
These many groups usually do not participate at the Parade but
stroll happily through the streets as their pleasure dictates, playing
their beloved instruments for the only three days in the year when drums
and piccolos are permitted in the street or just having fun showing off
their lovely costumes. While they enjoy Fasnacht for the full
three days, Tuesday is really their day - with no Parade taking
place, the whole city is their domain.
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There
are also the "Guggemusiken" (literally "paperbag bands") -
brass bands that augment the usual standard instruments with
anything that emits noise (washboards, pans etc.) and who, over the
years, have developed a very humerous style of somewhat dissonant and
off-key, but very jazzy and exciting music.
The disharmony is intentional and carefully practiced. Tuesday evening is the special time for the
"Guggemusiken": on all
central squares of the city they have the field to themselves to perform
their outrageous und funfilled concerts, while the drummers and fifers
stick to the side streets for that time.
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To round out the many colorful aspects of the
Fasnacht, there are the dozens of "Schnitzelbänggler": individuals
or little groups who tour the many restaurants and pubs to sing
limerick-like verses arranged to popular tunes.
The subject is always a
satirical/critical take on events that happened during the year – from
political happenings (international as well as local) to the private
peccadillos of the local prominence – any subject is fair play.
The verses are building slowly to a sometimes quite unexpected
punchline. Accompanying
each verse is a simple illustration hinting at, but never giving away, the
punchline. Unfortunately,
since they only sing in the local dialect, the joke is mostly lost to
visitors. |
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